水墨画的黄金法则 本书特色
本书由在日本深受好评的水墨风景画家马艳创作。全书将水墨画的基础以24条黄金法则的形式呈现，深入浅出的讲解了植物、山水、动物、人物、建筑等水墨画经典元素的绘画技巧。
全书主要由两部分构成，*部分简要介绍水墨画黄金法则运用的基础，包括用作画前的准备工作、何为水墨画创作、水墨画基础表现技法等一些基本材料和技巧问题的解答。第二部分立足于24条黄金法则，介绍了具体的水墨风景画的画法和作品，主要包括花的画法、山的画法、树木的画法、瀑布的画法、静物的画法、鸟的画法、建筑的画法、猫的画法、人物的画法等，其中以画法解说具体展示了各个主题下细分内容的画法，如花的画法的部分就展示了从枝干到叶片，从花朵到花蕊的详细步骤演示，在法则中总结绘画技巧和应当着重注意的细节，并通过*终的应用作品给读者一个整体观念。
水墨画的黄金法则 内容简介
水墨画的技法要领有许多, 作者从中精炼出24个*重要的法则, 掌握了这24个法则, 画出来的画才能达到被称为作品的水平。内容包括: 法则的基础 ; 实践与应用 —— 不同题材的画法。
水墨画的黄金法则 目录
目录：
序
第１章
法则的基础··························7
作画前的准备工作···································8
作画用具·······································8
笔·墨·纸·砚····································8
画具的摆放······································9
磨墨的方法······································9
●法则１●墨分五色··································9
笔墨的运用方法····································10
执笔的方法······································11
●法则２●掌握能灵活用笔的执笔方法····················11
调墨的方法······································12
运笔的基础······································14
●法则３●从“书画同源”中学习·························15
先画画看吧······································16
枯草蜻蜓的画法····································16
●法则４●用题款为画作收尾······························19
何为水墨画创作····································20
●法则５●掌握水墨画的基本三要素·······················21
水墨画基础表现技法··································22
红芜菁的画法
····································22
●法则６●用笔要有缓急变化······························23
笔头草的画法·····································24
●法则７●在构图取景上下功夫
···························25
金鱼的画法······································26
●法则８●自学也要有计划性······························28
黑天鹅的画法·····································29
●法则９●有飞白方现水墨意境···························31
●法则10●画面要有浓淡之分······························31
第２章
实践与应用——不同题材的画法·························33
花的画法·······································34
画法解说Ⅰ
盛放的白蔷薇·······························34
●法则11●白色花朵的表现技法···························36
画法解说Ⅱ
牡丹···································38
山的画法·······································44
画法解说Ⅲ
北阿尔卑斯山远望·····························44
●法则12●风景画的构图始于底稿·························45
●法则13●活用浓墨的表现效果···························46
●法则14●晕染的技法要点·······························46
树木的画法······································50
●法则15●特殊技法——留白法···························51
瀑布的画法
·····································54
●法则16●活用留白的效果·······························55
静物的画法
·····································56
画法解说Ⅳ
父亲的赠礼································56
●法则17●从生活中寻找绘画题材·························57
鸟的画法·······································60
画法解说Ⅴ
飞翔···································60
水墨画的黄金法则 作者简介
马艳
1967年出生于北京。毕业于中央美术学院，水墨画、油画、艺术评论专业，学习了油画和中国画。世界少年儿童艺术中心（美国）主办的《21世纪少年儿童艺术展》评审员。2006年起担任马骁水墨画协会所属的“艳墨会”主办人。2008年起多次举办包括《Bappaka狮子舞展》《野田市非物质文化遗产展》《野田的祭典》《龙神》《天地人》《Ballade》《Rouge（红）&Noir（黑）·为墨添彩》《Noir（黑）&Blanc（白）·为墨添彩》等画展。2012 年东京新闻报千叶版《千叶特色》中刊登了马艳特辑（4月23日）。2014年加入日本美术家联盟，成为正式会员。并有多部作品应邀参加公开展览。
